I developed this list and realized that my top ten fictional characters are all extremes; in innocence or madness, in their ambitions or the lack thereof, in their augustness or insignificance. These characters occupy my mind-space in whatever I do or wherever I go. I meet people and I end up branding a gesture here and an attribute there as Yossarian-esque or Voldemort-ish. So, here you go:
10. Vernon God Little: Vernon is the hero of the book by the same title. Often described as the modern day Holden Caulfield, in my opinion, he is much more than that. He is a brilliant creation combining tragedy and cynicism. But he really pips Caulfield because of his existential, almost dumb, manner in which he takes to the events (and bodies) unfolding. You often feel guilty of stealing a laughter at his state of affairs which has an enormity of its own and you cant but admire the way he wiggles himself out of it in a dazzling finale.
9. Prince Myshkin and Rogozhin: These are actually two different characters from "The Idiot" by Dostoevsky but really they are the two sides of the same coin. Prince is the epitome of innocence, idiocy and genrosity while Rogozhin is a dark, murderous and passionate character. The story starts with both of them on a train to St. Petersburg with almost similar circumstances. Both get an inheritence and fall in love with Nastasya Filippovna. They swear brotherhood to each other and then the same night Rogozhin tries to kill Prince. They meet again where Prince forgives him and even lets him have Nastasya only to be offered Nastasya back again later in the story with an unstated show of murderous intent. Ironically, Nastasya elopes with Rogozhin this time around. The end of this saga sees both of them locked in embrace in a room with Nastasya's murdered beauty, one gone insane and one gone idiot. Us, common people, are just different shades of Prince and Rogozhin, some lighter and some darker. And therein lies the appeal of these characters.
8. Randle Patrick Mcmurphy: A happy-go-lucky hero of "One flew over the cuckoo's nest", he walks into the asylum as a potentially easy way to serve out his sentence. There is nothing small about Mcmurphy. He is grand in the way he walks, talks and carries himself around. In the asylum, he comes to see himself as a beacon of hope for the lifeless souls, finds capacity for self-sacrifice and fights the 'Combine' in a hopeless cause which eventually leaves him as a vegetable. An infinitely moving character full of life who meets a superbly ironic end and is rescued only when his fellow mate, 'Chief' decides to snuff him with a pillow and thus allowing him the dignity to go out on his own terms.
7. Meursault: "My mother died yesterday or the day before. I dont really know." That is how the story opens with the hero and the narrator's thoughts. Meursault is the quintessential existential masterpiece. Nothing in this world could ever matter to him except for sensory experiences. He simply exists. He remorselessly smokes in front of his mother's dead body and later in the story, murders an Arab because he was "tired of the argument and the heat of the sun". Although, the Arab is dead, he shoots him four more times for good measure and objectively explains his motive to the judge that the Arab was dead and four more shots did not make him any more dead. He is convicted and sent to the guillotine largely because he is incapable of remorse. In prison, he refuses the opportunity to turn to God and looks at the universe as a "brother" because of its indifference to humankind, an emotion shared by himself. He feels that he was happy again. His last wish was "that there be a large crowd of spectators the day of my execution and that they greet me with cries of hate".
6. Yossarian: He is the anti-hero of the satirical comedy Catch-22. Faced by the dilemma of self-preservation and fighting in the WW-II, he firmly chooses the former. He is described as a comical and anti-hero version of Achilles and you can also see simile with Scott Adams's Wally. Consequently, the parallels in corporate life are boundless. He claims that the world was out there to get him either by bombing his plane or by forcing him to fly missions. A famous quote - "He had decided to live forever or die in the attempt, and his only mission each time he went up was to come down alive." He employs ingenious ways to avoid having to fly including inventing fake diseases and getting admitted in hospital, poisoning the squadron, ordering harsh evasion when faced with flak etc. In the end, when he deserts, he mentions, "I am not running away from my responsibilities. I am running to them. There's nothing negative about running away to save your life." If there was ever a survivor, he was one. Yossarian lives on.
To be continued...
View from my hammock
12 years ago